Collect 2022 - Inspired by Nature

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Last week I attended the impressive Collect 2022, London. Run by the Crafts Council, it is a gathering of UK and international galleries showcasing some of the finest contemporary craft in the world to an audience of collectors and first time buyers.

Rosy Greenlees, Executive Director and Andrew Morlet, Chair of the Crafts Council explain: 'the founding ethos behind Collect remains that the fair marks a moment to celebrate the newest and finest contemporary craft coming into the market, with most of the work made in the last few years and much made especially for the fair. So, for erstwhile collectors and first-time buyers alike, the fair remains a tantalising project.'

Somerset House with it's rich history as a home to Kings, Queens, Dukes, art institutions and government departments, played host to Collect 2022.  It's 18th century neo-classical architecture and splendid courtyard providing a magnificently contrasting stage from which to sell contemporary craft.

If the word craft has ever had negative connotations for you (homespun oldy woldy), then think again. Moving through East, South and West wings, wooden-floored rooms were filled with galleries presenting jaw-dropping, high-end, art, ceramics, glass, textiles, jewellery and installations made skilfully by the  artist's fair hands.

Pieces were made from materials as diverse as glass and fleece and more often than not from natural materials. In evidence was the close relationship between crafters and environment - one of pre-industrial harmony and ancient ritual.  Natural materials had been manipulated by hand using age old practices and tools into thought provoking pieces.

Satisfyingly, the influence of nature weaved through every room. Represented by Scottish contemporary glass gallery and studios, North Lands Creative were Nancy Sutcliffe and Verity Pulford. 

Nancy is a contemporary glass engraver and gilder. Inspired by natural forms, she applies highly decorated gold leaf to glass engravings.  A glass bowl featured a kaleidoscope of gold butterflies, another a swarm of gold bees on a honeycomb.

Nancy Sutcliffe, glass engraver
Nancy Sutcliffe
Verity Pulford is a glass artist living and working in North Wales.  Inspired by the small details of organic structures, she uses a variety of processes to create her work including kiln forming, architectural and casting techniques. Her colourful magic mushrooms were displayed under a glass dome.
Verity Pulford Glass
Verity Pulford
Sarah Myerscough Gallery relishes pieces by artists who are sensitive to the natural world with a focus on wood. For this year's Collect they invited artists and makers to create intriguing sculptural pieces under the curatorial theme of nurture/nature.  Included in the show were sculptural works of art by Michael Peterson, John Makepeace OBE, Marc Ricourt and Eleanor Lakelin.
Marc Ricourt describes his motivation as such: 'I spend a lot of time in the forest and am part of restoration and planting efforts to restore the forests of the region.  There is a Japanese saying - he who has planted a tree has not had a useless life.  I am living in nature. I am fully aware I belong to it.'
Michael Peterson, wooden sculpture
Michael Peterson

wooden chair, John Makepeace OBE

John Makepeace OBE

wooden sculpture, Marc RicourtMark Ricourt

Wooden sculpture, Eleanor Lakelin
Eleanor Lakelin
Helen Beard was represented at Collect by Thrown, a contemporary art gallery specialising in ceramics.  Helen Beard is a potter and illustrator inspired by her local area and the characters who inhabit it.  Particularly striking was her piece, an English glasshouse reflective of an English person's love of pottering in their garden.
Helen Beard, pottery
Helen Beard
The Crafts Council has always championed craft and in their own words 'it's ability to empower, inspire, innovate, provide comfort and tell important stories'. This was apparent in Collect Open where makers were invited to create projects for the show that pushed their working practices and challenged material, social or political perceptions.
Challenging the use of material, Lucy MacDonald participated in Collect Open with her Turner-esque style textile art. These were  inspired by the seasons of the wild Scottish coastline where she lives. The collection was created over 24 months and explores the themes of sustainability, traceability and connection to place.
To create them, Lucy blended ancient tapestry techniques with contemporary woven design. She sourced raw wool fleece within walking distance of her studio and used a blend of locally foraged plants and an organic indigo vat to dye the yarn.
Seasons of the Sea, Lucy Macdonald
Lucy MacDonald
Lucy MacDonald, Seasons of the Sea
Lucy MacDonald
Lucy Macdonald, Seasons of the Sea
Lucy MacDonald
A large number of these carefully crafted works of art will have sold and will be winging their way to museums, public galleries or new homes around the world.  Each serving as a reminder and a conversation starter about the crucial connections between ancient rituals, working with the hands and the preservation of the natural world.

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